| Title | Instrumentation | Length | Score | Recording | Year |
|---|---|---|---|---|---|
| anti-crystalline | percussion trio, snare drums, obsidian | 15'30" | Yes | Yes | 2022-23 |
| post-crystalline | fixed media | 9'46" | N/A | Yes | 2022 |
| Twenty stones, after Bergson | percussion quartet | 6' | Yes | Yes | 2022 |
| Thoughts on inevitability | flute, harp, and percussion | 9' | Yes | Yes | 2022 |
| the stone and the pick | koto and stones | 6' | No | No | 2022 |
| the stone and the node | double bass and stones | 10' | No | No | 2022 |
| the stone and the shred | electric guitar and stone | indeterminate | Yes | Yes | 2022 |
| the stone and the key | piano and stones | 7' | Yes | Yes | 2022 |
| trumpet -> ear -> drum | trombone, tuba, and percussion | 6-7' | Yes | No | 2021 |
| triadic waveforms | installation for stereo sound, generative electronics, transducer, driftwood, and video | indeterminate | N/A | Yes | 2021 |
| with leaves | prepared string quartet | 7-8' | Yes | Yes | 2021 |
| this was written for aislinn | bassoon, feedback system, and video | 10-13' | Yes | Yes | 2021 |
| the stone and the membrane | seastones and bongos | 7' | Yes | Yes | 2021 |
| Abalone and after | speaking performer trio, abalone shells, and fixed media, texts by Simone Weil, Henri Bergson, and Italo Calvino | 40' | Yes | Yes (for first movement) | 2020-21 |
| fl0cking? | fixed media | 5'30" | Yes | Yes | 2020 |
| wave-ritornello | piano, feedback system, and field recording | 8' | N/A | Yes | 2020 |
| noisebucket | electric toothbrushes, five-gallon bucket, resonant objects, and video | 8'28" | Yes | Yes | 2020 |
| this was written for tony | marimba and fixed media | 5'23" | Yes | No | 2020 |
| continuum in treble space | soprano and violin | 5' | No | No | 2020 |
| two ice recordings | ice, transducer, sine waves, and fixed media | 23' | N/A | Yes | 2020 |
| two quotations | feedback system and fixed media | 20' | N/A | Yes | 2020 |
| this was written for liam | singing tenor trombonist | 6' | No | No | 2020 |
| this was written for rachel | speaking violinist | 10' | No | No | 2020 |
| two etudes in fifths and fourths | piano | 4' | Yes | Yes | 2020 |
| space-potential | bassoon, trombone, cello, and flute | 5' | No | No | 2020 |
| "Tell me how you die and I will show you who you are." | installation for quadrophonic sound and generative electronics | indeterminate | N/A | Yes | 2020 |
| float gently | medieval double recorder | 3' | Yes | No | 2020 |
| cairns, book four | singing and speaking pianist | 25' | Yes | Yes | 2019-20 |
| as i taste the stars | speaking percussion duo | 6' | No | No | 2019 |
| canon in thirds and fifths | quadrophonic sound and live electronics | 10' | N/A | No | 2019 |
| three convolutions | fixed media | 11' | N/A | Yes | 2019 |
| cairns, book three | prepared piano | 20' | Yes | No | 2019 |
| stick and poke | speaking percussion quartet | 6' | Yes | Yes | 2019 |
| eight actions in five minutes | two performers | 5' | Yes | No | 2019 |
| radiation in new jersey, convalescence in new york | clarinet, marimba, piano, tenor, and violin | 4' | Yes | Yes | 2019 |
| lovesong for wood and drill | power drill, 2x4 wood block, contact mics, and live electronics | 5-7' | Yes | Yes | 2019 |
| cairns, book two | piano | 20' | Yes | No | 2018-19 |
| Wysteria | installation for hydrophones, electric toothbrushes, body of water, and live electronics | indeterminate | N/A | No | 2018 |
| pianstallation | installation for upright and grand piano, DC motors, tactile transducers, and live electronics | indeterminate | Yes | Yes | 2018 |
| Spring Storm | soprano and prepared piano | 5' | No | No | 2018 |
| beckett fragments | cello, contact mics, and live electronics | 8' | Yes | Yes | 2018 |
| cairns, book one | piano | 30' | Yes | Yes (for cairn one) | 2017-18 |